The installation proposes an inhabited interior, in which its architecture and inhabitant are ignored. The space is delimited by a platform articulated by pieces of furniture on top of it. Surfaces and corners are filled by objects, which, like traces, give account of an inhabitant and its habits.
Iñaki Ábalos points out in "La Buena Vida" that a space crammed with objects, without apparent order, reconstructs the domestic and the lived, which is why the space without the character continues to be practice and habit, it remains inhabited.
It can be said that if the objects or furniture in a room change location, its personality is altered. Their position is determined by the use of the room, so they become the visible face of the room.